Beginning with the analysis of two works by Titian (ca. 1488-1576) preserved in the Czech Republic--the so-called -Vanitas- belonging to the Prague Castle Collections, a portrait of a beautiful young woman usually interpreted as an allegory of vanity, and the gruesome -Flaying of Marsyas- housed in the Archbishop's Palace in Kromeriz--Titian: Vanitas deals with the artistic and existential life of the Cadore-born painter and presents the two paintings in the context of Titian's broader production. This volume, edited by Lionello Puppi and Serena Baccaglini and including texts from...