This book looks beyond the common label of 'Ronald Reagan's America' to chart the complex intersection of cultures in the 1980s. In doing so it provides an insightful account of the major cultural forms of 1980s America - literature and drama; film and television; music and performance; art and photography - and influential texts and trends of the decade: from White Noise to Wall Street, from Silicon Valley to MTV, and from Madonna to Cindy Sherman. A focused chapter considers the changing dynamics of American culture in an increasingly globalised marketplace.
This book looks beyond the common label of 'Ronald Reagan's America' to chart the complex intersection of cultures in the 1980s. In doing so it provid...
"What I feel most moved to write, that is banned, -- it will not pay. Yet, altogether, write the other way I cannot." Herman Melville wrote these words as he struggled to survive as a failing novelist. Between 1853 and 1856, he did write "the other way," working exclusively for magazines. He earned more money from his stories than from the combined sales of his most well known novels, Moby-Dick, Pierre, and The Confidence-Man.
In Herman Melville Graham Thompson examines the author's magazine work in its original publication context, including stories that became classics, such as...
"What I feel most moved to write, that is banned, -- it will not pay. Yet, altogether, write the other way I cannot." Herman Melville wrote these w...