Filmmaker Stan Brakhage has long been known as a giant of experimental cinema, but this collection shows him in a completely new light - as a writer. Throughout the 1980s, Brakhage contributed to the Boulder literary magazine Rolling Stock, mostly with reports from the Telluride Film Festival. These reports show that Brakhage was keenly interested in world cinema and was eager to meet and exchange views with filmmakers of different stripes.
The book also contains substantial discussion of Brakhage's work in light of the filmmakers he encountered at Telluride and discussed in...
Filmmaker Stan Brakhage has long been known as a giant of experimental cinema, but this collection shows him in a completely new light - as a write...
The Radio Eye: Cinema in the North Atlantic, 1958-1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use film, video, and television to advocate for marginalized communities and often for "smaller languages."
The Radio Eye: Cinema in the North Atlantic, 1958-1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and th...
