Romance was the preeminent narrative form through which medieval Christendom imagined its encounter with the world. But in the early modern period, religious war and commercial and colonial expansion radically changed the terms of that encounter. This book traces the process through which Spenser, Shakespeare, Milton, and others adapted, revised, or resisted romance, mapping a world of increasingly uncertain allegiances and affiliations. Early modern romance re-imagined the world, and in the process decisively rearticulated the relations between "Christendom," "Islam," and "Europe." By...
Romance was the preeminent narrative form through which medieval Christendom imagined its encounter with the world. But in the early modern period, re...
This book traces the process through which authors like Spenser, Shakespeare, and Milton adapted, rewrote, or resisted romance, mapping a world in which new cross-cultural contacts and religious conflicts demanded a rethinking of some of the most fundamental terms of early modern identity.
This book traces the process through which authors like Spenser, Shakespeare, and Milton adapted, rewrote, or resisted romance, mapping a world in whi...
