Heralded by peers as well as by later generations of artists, Jack Smith is an icon of the New York avant-garde. Nevertheless, he is conspicuously absent from dominant histories of American culture in the 1960s, as well as from narratives of the impact that decade would have on coming years. Glorious catastrophe presents a detailed critical analysis of Smith's work from the early 1960s until his AIDS-related death in 1989, and foregrounds the challenges his work may pose for histories of performance and visual culture. Smith poses uncomfortable challenges to cultural criticism and...
Heralded by peers as well as by later generations of artists, Jack Smith is an icon of the New York avant-garde. Nevertheless, he is conspicuously abs...
Live Art is a contested category, not least because of the historical, disciplinary and institutional ambiguities that the term often tends to conceal. Live Art can be usefully defined as a peculiarly British variation on particular legacies of cultural experimentation a historically and culturally contingent translation of categories including body art, performance art, time-based art, and endurance art. The recent social and cultural history of the UK has involved specific factors that have crucially influenced the development of Live Art since the late 1970s. These have included issues...
Live Art is a contested category, not least because of the historical, disciplinary and institutional ambiguities that the term often tends to conc...
Heralded by peers as well as by later generations of artists, Jack Smith is an icon of the New York avant-garde. Nevertheless, he is conspicuously absent from dominant histories of American culture in the 1960s, as well as from narratives of the impact that decade would have on coming years. Glorious catastrophe presents a detailed critical analysis of Smith's work from the early 1960s until his AIDS-related death in 1989, and foregrounds the challenges his work may pose for histories of performance and visual culture. Smith poses uncomfortable challenges to cultural criticism and historical...
Heralded by peers as well as by later generations of artists, Jack Smith is an icon of the New York avant-garde. Nevertheless, he is conspicuously abs...
Live Art is a contested category, not least because of the historical, disciplinary and institutional ambiguities that the term often tends to conceal. Live Art can be usefully defined as a peculiarly British variation on particular legacies of cultural experimentation a historically and culturally contingent translation of categories including body art, performance art, time-based art, and endurance art. The recent social and cultural history of the UK has involved specific factors that have crucially influenced the development of Live Art since the late 1970s. These have included issues...
Live Art is a contested category, not least because of the historical, disciplinary and institutional ambiguities that the term often tends to conc...
This collection of interviews with a variety of artists creates an oral history of performance art. Each artist is invited to address their work, providing insights into their artistic, personal and political concerns. An engaging read which displays the diverse practices which come under the umbrella of 'performance art'.
This collection of interviews with a variety of artists creates an oral history of performance art. Each artist is invited to address their work, p...
This collection of interviews with a variety of artists creates an oral history of performance art. Each artist is invited to address their work, providing insights into their artistic, personal and political concerns. An engaging read which displays the diverse practices which come under the umbrella of 'performance art'.
This collection of interviews with a variety of artists creates an oral history of performance art. Each artist is invited to address their work, p...
"And, behold, I, even I, do bring a flood of waters upon the earth, to destroy all flesh, wherein is the breath of life, from under heaven; and every thing that is in the earth shall die." The biblical story of the flood crystalizes--in its terrifying, dramatic simplicity--the universally recognized concept of divine punishment. For millennia human civilizations have relied on such beliefs to create moral order. People who commit crimes or other bad deeds, we are told, will suffer retribution, while rewards--abstract or material--await those who do good. This simple but powerful idea has long...
"And, behold, I, even I, do bring a flood of waters upon the earth, to destroy all flesh, wherein is the breath of life, from under heaven; and every ...
