This text traces the interwoven relationships between sexuality, national identity, and colonialism. The author shows how Canada, a white settler colony, bases its existence and its nationhood on a complex sexual economy based on women wrapped in fur. She traces the centrality of fur through a series of intriguing case studies, including: Hollywood's take on the 330 year history of the Hudson Bay Company, founded to exploit Canada's rich fur resources; the life of a postwar fur fashion photographer; a 1950s musical called Fur Lady and the battle between Brigitte Bardot's anti-fur activists...