"Sasha" was the code name adopted by Harlem Renaissance writer Claude McKay (1889-1948) to foil investigations of his life and work. Over a period of two decades, the FBI, U.S. State Department, British police and intelligence, and French law enforcement and colonial authorities took turns harassing McKay, an openly gay, Marxist, Jamaican expatriate who had left the United States and was living in Europe. In this study of four of McKay s texts--the first literary, cultural, and historical analysis to address the multilayered "queer black anarchism" in McKay's writings--Holcomb argues that...
"Sasha" was the code name adopted by Harlem Renaissance writer Claude McKay (1889-1948) to foil investigations of his life and work. Over a period of ...
"An original book on a neglected figure of the Harlem Renaissance . . . Holcomb is the first scholar to offer a coherent account of the different aspects of McKay's career and life without treating them as contradictions."--John Carlos Rowe, University of Southern California
"This project of intellectual, cultural, aesthetic history is a major undertaking . . . sure to become an indispensable point of reference for students and scholars in American, African American, Caribbean, diaspora, colonial and postcolonial studies, race, and gender studies."--Sandra Pouchet Paquet, University...
"An original book on a neglected figure of the Harlem Renaissance . . . Holcomb is the first scholar to offer a coherent account of the different a...
Teaching Hemingway and Race provides a practicable means for teaching the subject of race in Hemingways writing and related textsfrom how to approach ethnic, nonwhite international, and tribal characters to how to teach difficult questions of racial representation. Rather than suggesting that Hemingways portrayals of cultural otherness are
Teaching Hemingway and Race provides a practicable means for teaching the subject of race in Hemingways writing and related textsfrom how to approach ...
