This collection constitutes a salutory demonstration that Britain no longer serves as the centre for cultural studies. Engaging the critical discourses of feminism, postmodernism and postcolonialism, the contributions explore the renegotiations and changes in cultural studies in the wake of its export from Britain. In particular, the volume shows how to understand the experiences of marginalized groups, including women and aboriginal peoples in postcolonial states. Questions about the ongoing globalization of capital and culture are linked to constructions of national, local and individual...