In this powerful cultural critique, Ariel Dorfman explores the political and social implications of the smiling faces that inhabit familiar books, comics, and magazines. He reveals the ideological messages conveyed in works of popular culture such as the Donald Duck comics, the Babar children s books, and Reader s Digest magazine. The Empire s Old Clothes was widely praised when it was first published in 1983. This edition, including a new preface by the author, makes a contemporary classic newly available."

-A multifaceted journey that is geographical, personal and political . . . A complex, nuanced view of United States-Latin American politics and relations of the last forty some years.- -- Durham Herald-Sun
-One of the most important voices coming out of South America.- -- Salman Rushdie
In September 1973, the military took power in Chile, and Ariel Dorfman, a young leftist allied with President Allende, was forced to flee for his life. In Feeding on Dreams, Dorfman portrays, through visceral scenes and with startling honesty, the personal and political maelstroms that...

"If the courts and lawyers of this country will not do their duty, we shall watch as the victims and survivors of this man pursue justice and vindication in their own dignified and painstaking way, and at their own expense, and we shall be put to shame."

Forget Pinochet, Milosevic, Hussein, Kim Jong-il, or Gaddafi: America need look no further than its own lauded leaders for a war criminal whose offenses rival those of the most heinous dictators in recent history-Henry Kissinger.

Employing evidence based on firsthand testimony, unpublished documents, and new information uncovered by...

First published in 1971, How to Read Donald Duck shocked readers by revealing how capitalist ideology operates in our most beloved cartoons. Having survived bonfires, impounding and being dumped into the ocean by the Chilean army, this controversial book is once again back on our shelves. Written and published during the blossoming of Salvador Allende's revolutionary socialism, the book examines how Disney comics not only reflect capitalist ideology, but are active agents working in this ideology's favour. Focusing on the hapless mice and ducks of Disney, curiously parentless, marginalised...