Time has named 24 one of the *Best Television Events of the Decade.* With an innovative format that uses one hour of real time for each episode, and a season that comprises one twenty-four hour period, the show zeroes in on the fears and dangers of a post-9/11 world and the ways in which threats are transmitted, tracked down, and fought. From assassination attempts and germ warfare to horrific terrorist plots, Kiefer Sutherland's Agent Jack Bauer embodies America's darkest fears and its perilous place in the world today. This book brings together critical discussions of the...
Time has named 24 one of the *Best Television Events of the Decade.* With an innovative format that uses one hour of real time for each ...
Colour remains one of the few uncharted territories in writing about film style. Colour is the first monograph to deal with the close criticism of film colour across decades and countries. Through detailed explorations of films such as Three Colours: White and The Green Ray, this study offers a way of approaching, interpreting, and appreciating cinematic colour. The book also considers film's ability to place colour in a shifting relationship with all other points of style including camerawork, editing, performance, music, and lighting. Accessible and inventive in its approach, Colour invites...
Colour remains one of the few uncharted territories in writing about film style. Colour is the first monograph to deal with the close criticism of fil...
A critical appreciation of close relationships in the modern American movie, looking in detail at contemporary Hollywood films which explore intimacy and the connections of characters, their surroundings, and points of film style. Peacock's close readings provide a fresh approach to understanding the big American film.
A critical appreciation of close relationships in the modern American movie, looking in detail at contemporary Hollywood films which explore intimacy ...
Swedish crime fiction became an international phenomenon in the first decade of the twenty-first century, starting first with novels but then percolating through Swedish-language television serials and films and onto English-language BBC productions and Hollywood remakes. This book looks at the rich history of 'Scandinavian noir', examines the appeal of this particular genre and attempts to reveal why it is distinct from the plethora of other crime fictions. Examining the popularity of Steig Larsson's international success with his Millennium trilogy, as well as Henning Mankell's...
Swedish crime fiction became an international phenomenon in the first decade of the twenty-first century, starting first with novels but then percolat...
