This book reflects a profound change that has taken place in the practice of landscape architecture and planning in the past twenty years. Traditional modes of representation pen, pencil, watercolor, marker, et al have been supplanted by digital modeling and animation. This transformation is not just in the medium of representation, however; it is more than a subs- tution of one marking device for another, such as may have been the case in the past when, for example, mechanical pens with cartridges replaced pens with nibs that were filled by dipping. Even changes such as that had their...

This book reflects a profound change that has taken place in the practice of landscape architecture and planning in the past twenty years. Traditional modes of representation pen, pencil, watercolor, marker, et al have been supplanted by digital modeling and animation. This transformation is not just in the medium of representation, however; it is more than a subs- tution of one marking device for another, such as may have been the case in the past when, for example, mechanical pens with cartridges replaced pens with nibs that were filled by dipping. Even changes such as that had their...

Oft wirken erste Gehversuche mit 3D-Visualisierung zu technisch. Stimmung und Atmosphare werden nicht kommuniziert. Das ist frustrierend und fuhrt dazu, dass gerne zu alt bekannten Kollagetechniken fur eine Prasentation gegriffen wird. Die technologischen Entwicklungen im Umfeld der Computergrafik bieten jedoch Moglichkeiten, die mit klassischen Methoden nie erreicht werden. Dies ist einer der Schwerpunkte dieses Buches. Vor dem Hintergrund der Anforderungen des Planungswesens und den Anspruchen realer Planungsdaten vermitteln die Autoren den Umgang mit digitaler Technik zur Erstellung...