Architecture and Design in Europe and America, 1750-2000 is an unprecedented teaching anthology that surveys the history of European and American architecture and design using both historical and contemporary sources.

• Brings together the best scholarship on the subject, creating a new canon for teaching purposes by introducing a thematic approach.
  
• Covers three major periods, from 1750-1830, from 1830-1910, and from 1910-2000, with substantial introductions by the editors.
  
• Pairs primary documents with well-known...

Architecture and Design in Europe and America, 1750-2000 is an unprecedented teaching anthology that surveys the history of European and American architecture and design using both historical and contemporary sources.

• Brings together the best scholarship on the subject, creating a new canon for teaching purposes by introducing a thematic approach.
  
• Covers three major periods, from 1750-1830, from 1830-1910, and from 1910-2000, with substantial introductions by the editors.
  
• Pairs primary documents with well-known...

Contemporary art is embedded within the structures that characterise globalization - from the transnational circulation of artworks as commodities to the cross-cultural exchange of images, objects and ideas - and the multiple and mobile territories described by these structures are always, already gendered. Women, the Arts and Globalization: Eccentric experience is the first anthology to address these interlinked issues, bringing transnational feminist theory and criticism together with women's art practices in a coherent and sustained discussion of the legacy and trajectory of aesthetics,...

What happened in 1920s Cologne 'after Dada'? Whilst most standard accounts of Cologne Dada simply stop with Max Ernst's departure from the city for a new life as a surrealist in Paris, this book reveals the untold stories of the Cologne avant-garde that prospered after Dada but whose legacies have been largely forgotten or neglected. It focuses on the little known Magical Realist painter Marta Hegemann (1894-1970). By re-inserting her into the histories of avant-garde modernism, a fuller picture of the gendered networks of artistic and cultural exchange within Weimar Germany can be revealed....