Faust calls itself "A Tragedy" right enough, but it might just as well be described as a musical comedy -- it's ripe with comic passages, features many songs, and lacks a tragic ending. And Faust isn't a classic tragic figure, either. In fact, his characteristic yearning for experience and knowledge created a type for the romantic age still known as the Faustian hero. The villain of the piece -- Mephistopheles -- is one of the most likeable characters in the play. His yearnings draw him toward the heavens, yet he is also powerfully attracted to the physical world.

Since the year 1795, when it first appeared at Berlin, numerous editions of Meister have been printed: critics of all ranks, and some of them dissenting widely from its doctrines, have loaded it with encomiums; its songs and poems are familiar to every German ear; the people read it, and speak of it, with an admiration approaching in many cases to enthusiasm. The eponymous hero undergoes a journey of self-realization. The story centers upon Wilhelm's attempt to escape what he views as the empty life of a bourgeois businessman. After a failed romance with the theater, Wilhelm commits...

Since the year 1795, when it first appeared at Berlin, numerous editions of Meister have been printed: critics of all ranks, and some of them dissenting widely from its doctrines, have loaded it with encomiums; its songs and poems are familiar to every German ear; the people read it, and speak of it, with an admiration approaching in many cases to enthusiasm. After a failed romance with the theater, Wilhelm commits himself to the mysterious Tower Society. Wilhelm Meister's Apprenticeship affords a distinct view of Goethe's matured genius, his manner of thought and favorite subjects -- more...