In the volatile period of the late sixties and early seventies, several theater groups came to prominence in the United States, informing and shaping activist theater as we know it today. Restaging the Sixties examines the artistry, politics, and legacies of eight radical collectives: the Living Theatre, the Open Theatre, the Performance Group, the San Francisco Mime Troupe, El Teatro Campesino, At the Foot of the Mountain, the Free Southern Theater, and Bread and Puppet Theater. Each of the specially commissioned essays is from a leading theater artist, critic, or scholar. The essays...
In the volatile period of the late sixties and early seventies, several theater groups came to prominence in the United States, informing and shaping ...
Few individuals have positioned their work more controversially or consequently than Richard Schechner within the pivotal debates that define Performance Studies. The Rise of Performance Studies is the first collection of essays to critically examine the profound contributions that Schechner has made to Performance Studies as a discipline.
Few individuals have positioned their work more controversially or consequently than Richard Schechner within the pivotal debates that define Performa...
The Sixties, Center Stage offers rich insights into the innovative and provocative political underpinnings of mainstream and popular performances in the 1960s. While much critical attention has been focused on experimental and radical theater of the period, the essays confirm that mainstream performances not only merit more scholarly attention than they have received, but through serious examination provide an important key to understanding the 1960s as a period. The introduction provides a broad overview of the social, political, and cultural contexts of artistic practices in...
The Sixties, Center Stage offers rich insights into the innovative and provocative political underpinnings of mainstream and popular performanc...
Ellen Stewart (1919-2011) was the single most important figure in the history of American avant-garde theater and performance art. Founder of La MaMa Experimental Theatre Club, Stewart was responsible for a staggering array of productions and for fostering the early work of directors, playwrights, actors, composers, and performance artists. Active until her death at age 91, Stewart also established a highly regarded workshop for directors and playwrights in Umbria, after receiving the prestigious MacArthur grant in 1985. Although she was a vital force in American theater for decades,...
Ellen Stewart (1919-2011) was the single most important figure in the history of American avant-garde theater and performance art. Founder of La MaMa ...