Since its foundation in 1951, the French film journal Cahiers du Cinema has been a major source of ideas and controversy within film criticism and film-making. The fourth volume in this series of anthologies covers the vibrant and turbulent period from 1973-78, in which the editorial make-up and policy of the journal changed radically, and issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Gilles Deleuze, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre...