This lavishly illustrated book offers the first full, interdisciplinary investigation of the historical evidence for the presence of ancient Greek tragedy in the post-Restoration British theatre, where it reached a much wider audience--including women--than had access to the original texts. Archival research has excavated substantial amounts of new material, both visual and literary, which is presented in chronological order. But the fundamental aim is to explain why Greek tragedy, which played an elite role in the curricula of largely conservative schools and universities, was magnetically...

This book is the second of three volumes of a new prose translation of Euripides' most popular plays. The first three tragedies translated in this volume illustrate Euripides' extraordinary dramatic range. The fourth play, Rhesus, probably the work of another playwright, is an exciting, action-packed theatrical Iliad in miniature.

Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments,...

Cultural Responses to the Persian Wars addresses the huge impact on subsequent culture made by the wars fought between ancient Persia and Greece in the early fifth century BC. It brings together sixteen interdisciplinary essays, mostly by classical scholars, on individual trends within the reception of this period of history, extending from the wars' immediate impact on ancient Greek history to their reception in literature and thought both in antiquity and in the post-Renaisssance world. Extensively illustrated and accessibly written, with a detailed Introduction and bibliographies, this...

In this pioneering study Edith Hall explores the numerous different ways in which we can understand the relationship between the real, social world in which the Athenians lived and the theatrical roles that they invented. In twelve studies of role types and the theatrical conventions that contributed to their creation - including women in childbirth, drowning barbarians, horny satyrs, allegorical representations of Comedy, peasant farmers, tragic masks, and solo sung arias - she advances the argument that the interface between ancient Greek drama and social reality must be understood as a...

This series of twenty complementary essays by experts in the field explores the art, social status, reputation and image of the ancient actor in the Greek and Roman worlds, from the sixth century B.C. to the Byzantine period. It covers tragedy, comedy, mime and pantomime and offers a full overview of the most important ancient evidence. In some essays new questions are asked, and in others, completely new evidence is offered. Numerous illustrations are included and all Greek and Latin passages are translated.

A ghost summoned with bizarre rituals from the underworld, the elaborate protocol of the Persian court, a thrilling eye-witness account of the battle of Salamis - as the earliest surviving European drama it is of incalculable interest for students of ancient literature: as the only extended account of the Persian wars by an author who fought in ...

- Iph] draws on the contemporary vernacular to ripping, rollicking, rumbustious effect.---Paul Muldoon

-In this dynamic play, Colin Teevan brings a new form of expression to his longstanding fascination with the ancient Greek dramatist Euripides.---Edith Hall, from the introduction

Based on 20 previously untranslated fragments, this is a reconstruction of Euripides' lost tragic comedy, Alcmaeon in Corinth, completing his final trilogy, with Bacchai and Iphigenia in Aulis.

-Like a quiet, lethal explosion somewhere in the very heart of you.---Guardian
A father denied access to his children, a footballer deserting his team, a terrorist lost in the politics of peacetime. Five monologues in the voices of contemporary men, inspired by the heroes and heroines of classical myths.