This collection of essays covers a broad range of disciplines to produce a work that rethinks relationships and divisions in gender, geography, class relations, culture and much more to create a true 'politics of the possible'. Broadly emphasizing forms, ideologies and class relations, Sangari's essays crisscross and cohere around several themes: the politics of social location and the connection between local, metropolitan and colonial geographies as they bear on debates about the nature of knowledge; the transnational and regional production of ideologies such as altruism under the aegis of...

Over the last three decades, Sheba Chhachhi has developed an art practice that traverses the fields of documentary photography, installation, video and new media, creating immersive environments and bringing the contemplative into the political, in both site-specific public art and independent works. She has created a number of large photo-based installations incorporating light, sound and the moving image, and pursued long-term photography projects such as on women-ascetics and the female body. Chhachhi experiments across the spectrum of durational mediums from pre-cinematic animated...

Nilima Sheikh's art practice from 1969 to 2012 forms the subject of Trace Retrace. The book is structured in three parts: visual, discursive, and a combination of the two. The largest narrative is visual - a selection from Nilima Sheikh's paintings in diverse formats, chosen to signal the artist's commitment to process, and to indicate the way her paintings slide into, work with and against each other, and propose a meandering seriality. The often extensive reproduction of details from these paintings introduces the unexpected, eliciting not only a flitting or looping gaze but also...