In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled--often both--but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now.

In Blowin' Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The...

In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled--often both--but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now.

In Blowin' Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The...

In the United States, African American and Italian cultures have been intertwined for more than a hundred years. From as early as nineteenth-century African American opera star Thomas Bowers--"The Colored Mario"--all the way to hip-hop entrepreneur Puff Daddy dubbing himself "the Black Sinatra," the affinity between black and Italian cultures runs deep and wide. Once you start looking, you'll find these connections everywhere. Sinatra croons bel canto over the limousine swing of the Count Basie band. Snoop Dogg deftly tosses off the line "I'm Lucky Luciano 'bout to sing soprano." Like...