This book is the first critical survey of modern Egyptian drama during the period of its maturity from the 1930s to the present day. A discussion of the work of Tawfiq al-Hakim is followed by an examination of the less experimental plays of his successors, Mahmud Taymur, Bakathir and Fathi Radwan.

This book is the first critical survey of modern Egyptian drama during the period of its maturity from the 1930s to the present day. A discussion of the work of Tawfiq al-Hakim is followed by an examination of the less experimental plays of his successors, Mahmud Taymur, Bakathir and Fathi Radwan.

This volume of the Cambridge History of Arabic Literature provides the first authoritative, comprehensive, critical survey of creative writing in Arabic from the mid-nineteenth century to the present day. The rise of secular education, printing and journalism created a new reading public, and Western ideas and literary forms, notably the novel, the short story, and drama, became influential. This book examines the attempts made by Arab men and women to adapt the imported forms as well as the indigenous literary tradition to meet the requirements of the modern world. Quoted material is given...

This book, originally published in 1988, traces the development of Arabic drama from its beginnings in Lebanon in the mid-nineteenth century to its maturity reached in Egypt in the second and third decades of the twentieth. A brief discussion of the indigenous dramatic tradition is followed by an examination of the way in which modern drama was imported and adapted from the West independently by Marun Naqqash in Beirut and Ya'q b Sann ' in Cairo, both of whom were inspired by Italian opera and influenced by French comedy. The subsequent search for Egyptian identity is examined through the...

Coleridge's theories, insights and practical criticism underlie nearly all subsequent criticism in English. It was not only that he turned decisively away from eighteenth century views (clearly and usefully surveyed in the first chapter). His powerfully general theories of the imagination and of poetic language and structure provided permanent insights. He saw the plays as organic structures of poetic effects, the product of conscious artistry. These served Shakespeare's deep human insight, both psychological and moral. Dr Badawi provides a lucid analysis of the elements of Coleridge's...