Takeshi Murata (born 1975) first became known as an early innovator of "datamoshing," a form of "glitch art" that requires compressing two videos together until their respective pixels merge into one mashed-up picture. Since then, inspired by Giorgio de Chirico and traditional 17th-century Dutch and Flemish painting, Murata's work has ventured into the realm of hyper-realism in a series of uncanny prints and videos that explore our inner and exterior lives via everything from B-grade horror film imagery to relics of a 1980s childhood. Part monograph and part artist's book, Takeshi...
Takeshi Murata (born 1975) first became known as an early innovator of "datamoshing," a form of "glitch art" that requires compressing two videos toge...
This is the first monograph on Chicago-based Hairy Who artist Suellen Rocca (born 1943), presenting her paintings, drawings and prints from the 1960s. Among her contemporaries, Rocca's work is notable for its vocabulary of pictographic imagery inspired by consumer catalogues, magazine advertisements and children's activity books. Featuring full-color plates of more than 50 artworks, virtually all of which are reproduced here for the first time, this volume presents a thorough overview of the artist's work from 1964 to 1969. An essay by Dan Nadel traces Rocca's artistic development,...
This is the first monograph on Chicago-based Hairy Who artist Suellen Rocca (born 1943), presenting her paintings, drawings and prints from the 1960s....
