For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a "divine voice" known as his "daimonion." Goethe was introduced to this ancient concept by Hamann and Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukacs, Benjamin, Gadamer, Adorno,...

This is the first book-length critical analysis in any language of Hans Blumenberg's theory of myth. Blumenberg can be regarded as the most important German theorist of myth of the second half of the twentieth century, and his　Work on Myth　(1979) has resonated across disciplines ranging from literary theory, via philosophy, religious studies and anthropology, to the history and philosophy of science.

Nicholls introduces Anglophone readers to Blumenberg's biography and to his philosophical contexts. He elucidates Blumenberg's theory of myth by relating...

This is the first book-length critical analysis in any language of Hans Blumenberg s theory of myth. Blumenberg can be regarded as the most important German theorist of myth of the second half of the twentieth century, and his Work on Myth (1979) has resonated across disciplines ranging from literary theory, via philosophy, religious studies and anthropology, to the history and philosophy of science.

Nicholls introduces Anglophone readers to Blumenberg s biography and to his philosophical contexts. He elucidates Blumenberg s theory of myth by relating it to three...