Dawn Lundy Martin s work is neither language poetry, which rejects the speaking subject, nor strictly lyric, which embraces the speaking I. It might best be described as poetry where, in the words of Juliana Spahr, the lyric meets language --both an investigation into the opacity of language and the expression of a passionate speaker who struggles to speak meaningfully.

Martin s poems bend the form into something new, seeking a way to approach the horrific and its effect on the psyche more fully than might be possible in the worn groove of the traditional lyric. Her formal inventiveness...