Cinema in an Age of Terror looks at how cinematic representations of colonial-era victimization inform our understanding of the contemporary age of terror. By examining works representing colonial history and the dynamics of spectatorship emerging from them, Michael F. O Riley reveals how the centrality of victimization in certain cinematic representations of colonial history can help us understand how the desire to occupy the victim s position is a dangerous and blinding drive that frequently plays into the vision of terrorism.Films such as The Battle of Algiers, Days of...
Cinema in an Age of Terror looks at how cinematic representations of colonial-era victimization inform our understanding of the contemporary ag...
