Classical Presences Series Editors: Lorna Hardwick, Professor of Classical Studies, Open University, and James I. Porter, Professor of Greek, Latin, and Comparative Literature, University of Michigan The texts, ideas, images, and material culture of ancient Greece and Rome have always been crucial to attempts to appropriate the past in order to authenticate the present. They underlie the mapping of change and the assertion and challenging of values and identities, old and new. Classical Presences brings the latest scholarship to bear on the contexts, theory, and practice of such use,...
Classical Presences Series Editors: Lorna Hardwick, Professor of Classical Studies, Open University, and James I. Porter, Professor of Greek, Latin...
Classical Presences Series Editors: Lorna Hardwick, Professor of Classical Studies, Open University, and James I. Porter, Professor of Greek, Latin, and Comparative Literature, University of Michigan The texts, ideas, images, and material culture of ancient Greece and Rome have always been crucial to attempts to appropriate the past in order to authenticate the present. They underlie the mapping of change and the assertion and challenging of values and identities, old and new. Classical Presences brings the latest scholarship to bear on the contexts, theory, and practice of such use,...
Classical Presences Series Editors: Lorna Hardwick, Professor of Classical Studies, Open University, and James I. Porter, Professor of Greek, Latin...
The 'How to Read' series is an introduction to some of the most influential and challenging writers in history, exploring the minds and philosophies of those who have shaped our intellectual and political landscape.
The 'How to Read' series is an introduction to some of the most influential and challenging writers in history, exploring the minds and philosophies o...
"What has Athens to do with Jerusalem? Asked by the early Christian Tertullian, the question was vigorously debated in the nineteenth century. While classics dominated the intellectual life of Europe, Christianity still prevailed and conflicts raged between the religious and the secular. Taking on the question of how the glories of the classical world could be reconciled with the Bible, "Socrates and the Jews "explains how Judaism played a vital role in defining modern philhellenism.Exploring the tension between Hebraism and Hellenism, Miriam Leonard gracefully probes the philosophical...
"What has Athens to do with Jerusalem? Asked by the early Christian Tertullian, the question was vigorously debated in the nineteenth century. Whil...
The ancient Greek tragedies of Aeschylus, Sophocles, and Euripides have long been considered foundational works of Western literature, revered for their aesthetic perfection and timeless truths. Under the microscope of recent scholarship, however, the presumed universality of Greek tragedy has started to fade, as the particularities of Athenian culture have come into sharper focus. The world revealed is so far removed from modern sensibilities that, in the eyes of many, tragedy's viability as a modern art form has been fatally undermined. Tragic Modernities steers a new course...
The ancient Greek tragedies of Aeschylus, Sophocles, and Euripides have long been considered foundational works of Western literature, revered for ...
From around 1800, particularly in Germany, Greek tragedy has been privileged in popular and scholarly discourse for its relation to apparently timeless metaphysical, existential, ethical, aesthetic, and psychological questions. As a major concern of modern philosophy, it has fascinated thinkers including Hegel, Kierkegaard, Nietzsche, Freud, and Heidegger. Such theories have arguably had a more profound influence on modern understanding of the genre than works of classical scholarship or theatrical performances. Tragedy and the Idea of Modernity considers this tradition of philosophy in...
From around 1800, particularly in Germany, Greek tragedy has been privileged in popular and scholarly discourse for its relation to apparently timeles...
