Growing academic interest and the republication of B.S. Johnson's major works have been reinforced by Coe's award-winning biography Like A Fiery Elephant (2004). With a preface by Coe, this collection, co-edited by two leading Johnson scholars, offers an annotated bibliography, a chronology and readings of the author and his work.
Growing academic interest and the republication of B.S. Johnson's major works have been reinforced by Coe's award-winning biography Like A Fiery Eleph...
This book critically engages with the visual appearance of prose fiction where it is manipulated by authors, from alterations in typography to the deconstruction of the physical form of the book. It reappraises the range of effects it is possible to create through the use of graphic devices and explores why literary criticism has dismissed such features as either unreadable experimental gimmicks or, more recently, as examples of the worst kind of postmodern decadence. Through the examination of problematical texts which utilize the graphic surface in innovative and unusual ways, including...
This book critically engages with the visual appearance of prose fiction where it is manipulated by authors, from alterations in typography to the dec...
Laughing Matters is an undergraduate level textbook taking an analytic approach to film, television and radio comedy, providing an accessible overview of its forms and contexts. The introduction explains the value of studying comedy, concisely outlines the approach taken and summarises the relevant theories. The subsequent chapters are divided into two parts. The first part examines the specific forms comedy has taken as a constant and key element in film and broadcast comedy from their origins to the present. The second part shows how the genre gravitates towards contentious issues in...
Laughing Matters is an undergraduate level textbook taking an analytic approach to film, television and radio comedy, providing an accessible overview...
This book critically engages with the visual appearance of prose fiction where it is manipulated by authors, from alterations in typography to the deconstruction of the physical form of the book. It reappraises the range of effects it is possible to create through the use of graphic devices and explores why literary criticism has dismissed such features as either unreadable experimental gimmicks or, more recently, as examples of the worst kind of postmodern decadence. Through the examination of problematical texts which utilise the graphic surface in innovative and unusual ways, including...
This book critically engages with the visual appearance of prose fiction where it is manipulated by authors, from alterations in typography to the dec...