For decades T. S. Eliot has been applauded and denounced as a staunch champion of high art and an implacable opponent of popular culture. But Eliot's elitism was never what it seemed. "T. S. Eliot and the Cultural Divide" represents this great writer as the complex figure he was, an artist attentive not only to literature but also to detective fiction, vaudeville theater, jazz, and the songs of Tin Pan Alley.
David Chinitz argues that Eliot was productively engaged with popular culture in some form at every stage of his career, and that his response to it, as expressed in his poetry,...

Which Sin To Bear? mines Langston Hughes's creative work, newspaper columns, letters, and unpublished papers to reveal a writer who faced a daunting array of dicey questions and intimidating obstacles, and whose triumphs and occasional missteps are a fascinating and telling part of his legacy. David E. Chinitz explores Hughes's efforts to negotiate the problems of identity and ethics he faced as an African American professional writer and intellectual, tracing his early efforts to fashion himself as an "authentic" black poet of the Harlem Renaissance and his later imagining of a new...

Offering a comprehensive and up-to-date survey of the field, A Companion to Modernist Poetry provides readers with detailed discussions of individual poets, 'schools' and 'movements' within modernist poetry, and the cultural and historical context of the modernist period.

• Provides an in-depth and accessible summary of the latest trends in the study of modernist poetry
• Balances discussion of individual poets, 'schools', and 'movements' with in-depth literary and historical context
• Brings recent scholarship to bear on the subject of modernist poetry...

Which Sin To Bear? mines Langston Hughes's creative work, newspaper columns, letters, and unpublished papers to reveal a writer who faced a daunting array of dicey questions and intimidating obstacles, and whose triumphs and occasional missteps are a fascinating and telling part of his legacy. David E. Chinitz explores Hughes's efforts to negotiate the problems of identity and ethics he faced as an African American professional writer and intellectual, tracing his early efforts to fashion himself as an "authentic" black poet of the Harlem Renaissance and his later imagining of a new...