The scholarly study of autograph sources has exploded over the past quarter century especially in the field of twentieth-century music. Yet, few if any courses or seminars broach the subject of sketch studies and the skills required to examine the manuscripts. This book surveys the knowledge necessary to work efficiently in archives and libraries with the skills and techniques specifically related to sketch studies: transcription, reconstructing sketchbooks, deciphering handwriting, and dating documents.
The scholarly study of autograph sources has exploded over the past quarter century especially in the field of twentieth-century music. Yet, few if an...
This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of Istvan Anhalt (1919-2012) Gyorgy Kurtag (1926-) and Sandor Veress (1907-92). Although all three composers are of Hungarian origin, their careers followed radically different paths. Whereas, Kurtag remained in Budapest for most of his career, Anhalt and Veress left: the former in 1946 and immigrated to Canada and the latter in 1948 and settled in Switzerland. All three composers have had an extraordinary impact in the...
This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary obj...
The scholarly study of autograph sources has exploded over the past quarter century especially in the field of twentieth-century music. Yet, few if any courses or seminars broach the subject of sketch studies and the skills required to examine the manuscripts. This book surveys the knowledge necessary to work efficiently in archives and libraries with the skills and techniques specifically related to sketch studies: transcription, reconstructing sketchbooks, deciphering handwriting, and dating documents.
The scholarly study of autograph sources has exploded over the past quarter century especially in the field of twentieth-century music. Yet, few if an...
During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer s role and the concept of music as performance.
This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic or mixed...
During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination a...