An Art of Desire. Reading Paul Auster the first book-length study solely devoted to the novels of Paul Auster. From the vantage-point of poststructuralist theory, especially Lacanian psychoanalysis and Derridean deconstruction, this book explores the relation of Auster's novels City of Glass, In the Country of Last Things, Moon Palace, and The Music of Chance to the rewriting and deconstruction of genre conventions; their connections to concepts such as catastrophe theory, the sublime, Freud's notion of the 'death drive;' as well as the philosophical underpinnings of his work. At the focus of...
An Art of Desire. Reading Paul Auster the first book-length study solely devoted to the novels of Paul Auster. From the vantage-point of poststructura...
This volume presents the first book-length study devoted to the discussion and relevance of the notion of 'ecology' within the frame-work and 'ontology' of the philosophy of Gilles Deleuze and Felix Guattari from various positions within Cultural Studies and Sciences."
This volume presents the first book-length study devoted to the discussion and relevance of the notion of 'ecology' within the frame-work and 'ontolog...
This collection pays homage to a filmmaker reputed for delivering the most movie for the least amount of money. Ulmer's stealing away the wife of a producer led to his exile from Hollywood, and working outside the studio system, he turned out film noir, science fiction, and ethnic films that achieved cult status.
This collection pays homage to a filmmaker reputed for delivering the most movie for the least amount of money. Ulmer's stealing away the wife of a pr...
Considered the "King of Poverty Row," Edgar G. Ulmer (1904-1972) was an auteur of B productions. A filmmaker with an individual voice, Ulmer made independent movies before that category even existed. From his early productions like The Black Cat (1934) and Yiddish cinema of the late 1930s to his final films of the late 1950s and early 1960s, Ulmer created enduring works within the confines of economic constraints. Almost forgotten, Ulmer was rediscovered first in the 1950s by the French critics of the Cahiers du Cinema and then in the early 1970s by young American directors, notably Peter...
Considered the "King of Poverty Row," Edgar G. Ulmer (1904-1972) was an auteur of B productions. A filmmaker with an individual voice, Ulmer made inde...
How do fiction, film, music, the Internet, and plastic, performative, and fine arts negotiate their shapes, formats, and contents in our contemporary world? More important, how does their interaction shape their techniques of representation, strategies of communication, and forms of reception? In the light of these ongoing interactive (and intermedial) processes, the fields of cultural studies and American studies are challenged to restructure and reorganize themselves. Less interested in the mere fact of traditional art forms meeting new media such as film, video, and digital arts, this...
How do fiction, film, music, the Internet, and plastic, performative, and fine arts negotiate their shapes, formats, and contents in our contemporary ...
For Gilles Deleuze, time is 'out of joint'. For Michel Serres, it is 'a crumpled handkerchief'. In both of these concepts, explicit references are made to the non-linear dynamics of Chaos and Complexity theory, as well as the New Sciences. The groundbreaking work of these key thinkers has the potential to instigate a radical break from traditional existentialist theories of time and history, affording us the opportunity to view history and historical events as a complex, non-linear system of feedback-loops, couplings and interfaces.
In this collection, the first to address the...
For Gilles Deleuze, time is 'out of joint'. For Michel Serres, it is 'a crumpled handkerchief'. In both of these concepts, explicit references are ...
Philipp Schmerheim Bernd Herzogenrath Patricia Pisters
Cinema has always displayed an affinity to characters with distorted or even hallucinatory relations to reality. With films such as The Truman Show, the Matrix films or Inception, contemporary filmmakers add another layer to this canon of film characters: unwitting ordinary victims of deception for whom the skepticist fear that the world is not real but a simulation, fake environment or a dream has become true. These are 'skepticism films': dramatized, fictional configurations of the thought experiments which are part and parcel of philosophical reflection on knowledge...
Cinema has always displayed an affinity to characters with distorted or even hallucinatory relations to reality. With films such as The Truman S...
What is a medium? If Nietzsche was right in claiming that "our writing equipment takes part in the forming of our thoughts, ? that media help us "think," and if different media allow for different ways of thinking, then the "body" of the respective medium in question, its materiality, shapes and influences the range and direction of how media make us think. Shouldn't we consequently speak of informed matter and of materialized information?
Launching Bloomsbury's Thinking Media series, Media Matter introduces readers to the nascent field of media-philosophy. Contributors urge...
What is a medium? If Nietzsche was right in claiming that "our writing equipment takes part in the forming of our thoughts, ? that media help us "thin...
Launching Bloomsbury's Thinking Media series, Media Matter introduces readers to the nascent field of media-philosophy. Contributors urge readers to re-adjust their ideas of Media Studies, by extending the understanding of "medium" to include a concept of materiality that also includes "non-human" transmitters (elements such as water, earth, fire, air) and also by understanding media not only in the context of cultural or discursive systems or apparatuses, relays, transistors, hardware or "discourse networks," but more inclusively, in terms of a "media ecology."
Beginning with...
Launching Bloomsbury's Thinking Media series, Media Matter introduces readers to the nascent field of media-philosophy. Contributors urge re...
Philipp Schmerheim Bernd Herzogenrath Patricia Pisters
Skepticism Films: Knowing and Doubting the World in Contemporary Cinema introduces skepticism films as updated configurations of skepticist thought experiments which exemplify the pervasiveness of philosophical ideas in popular culture. Philipp Schmerheim defends a pluralistic film-philosophical position according to which films can be, but need not be, expressions of philosophical thought in their own right. It critically investigates the influence of ideas of skepticism on film-philosophical theories and develops a typology of skepticism films by analyzing The Truman Show,...
Skepticism Films: Knowing and Doubting the World in Contemporary Cinema introduces skepticism films as updated configurations of skepticist tho...
