In this book Camelia Elias introduces key terms in feminist, queer, and postcolonial/diaspora film. Taking her point of departure in the question, "what do you want from me?" she detours through Lacanian theory of the gaze and reframes questions of subjectivity and representation in an entertaining entanglement of visual with textual poetics in film.
In this book Camelia Elias introduces key terms in feminist, queer, and postcolonial/diaspora film. Taking her point of departure in the question, "wh...
Celebrated American author Raymond Federman is 80 this year. The present volume, which is a collaboration between scholars at Aalborg and Roskilde University, marks this event in addition to introducing Federman to the general public. As Federman has given the editor, Camelia Elias, his permission "to use and abuse whatever you need and want from my work including my body," she has not hesitated to do so. The result is a fascinating read. The volume features 4 scholarly essays and an indit encounter between Federman and Elias, featuring both of these authors' texts. "A warm, intelligent, and...
Celebrated American author Raymond Federman is 80 this year. The present volume, which is a collaboration between scholars at Aalborg and Roskilde Uni...
This is a book of fragments and prose poetry celebrating what mothers try to pass on to their children: a sense of how to be grateful for the experiences in life that can be said to be not only beautiful but also significant in form. The author's own mother, a logician, emerges as a powerful woman who has things to say to people she encounters through mediation: mathematicians, prophets, lovers, and fools. The introduction to the collection is an informative memoir which entangles the personal essay with the formal properties of writing that can be said to be both epistemic, creating a...
This is a book of fragments and prose poetry celebrating what mothers try to pass on to their children: a sense of how to be grateful for the experien...
In this volume, Mark Daniel Cohen offers, in the first part, a fresh and intelligent look at Sophocles, re-writing Antigone almost as a Beckettian version of Tristan and Isolde. The modern-day domestic drama is continued in the second part of the volume, in which selected poems aptly combine the trivial and the sublime, the mark and measure of every great classic. Camelia Elias writes the introduction under a contaminated spell.
In this volume, Mark Daniel Cohen offers, in the first part, a fresh and intelligent look at Sophocles, re-writing Antigone almost as a Beckettian ver...