Ovid's Heroides, a catalogue of letters by women who have been deserted, has too frequently been examined as merely a lament. In a new departure, this book portrays the women of the Heroides as a community of authors. Combining close readings of the texts and their mythological backgrounds with critical methods, the book argues that the points of similarity between the different letters of the Heroides, so often derided by modern critics, represent a brilliant exploitation of intratextuality, in which the Ovidian heroine self-consciously fashions herself as an alluding author influenced by...
Ovid's Heroides, a catalogue of letters by women who have been deserted, has too frequently been examined as merely a lament. In a new departure, this...
Ovid's Heroides, a catalogue of letters by women who have been deserted, has too frequently been examined as merely a lament. In a new departure, this book portrays the women of the Heroides as a community of authors. Combining close readings of the texts and their mythological backgrounds with critical methods, the book argues that the points of similarity between the different letters of the Heroides, so often derided by modern critics, represent a brilliant exploitation of intratextuality, in which the Ovidian heroine self-consciously fashions herself as an alluding author influenced by...
Ovid's Heroides, a catalogue of letters by women who have been deserted, has too frequently been examined as merely a lament. In a new departure, this...
No Regrets: Remorse in Classical Antiquity is the first sustained study examining the circumstances under which the emotions of remorse and regret were manifested in Greek and Roman public life. Despite a still-common notion that remorse is a modern, monotheistic emotion, it argues that remorse did in fact exist in pre-Christian antiquity. By discussing the standard lexical denotations of remorse, Fulkerson shows how its parameters were rather different from its modern counterpart. Remorse in the ancient world was normally not expressed by high-status individuals, but by their inferiors,...
No Regrets: Remorse in Classical Antiquity is the first sustained study examining the circumstances under which the emotions of remorse and regret wer...
Although repetition is found in all ancient literary genres, it is especially pervasive in epic poetry. Ovid's Metamorphoses exploits this dimension of the epic genre to a great extent; past critics have faulted it as too filled with recycled themes and language. This volume seeks a deeper understanding of Ovidian repetitiveness in the context of new scholarship on intertextuality and intratextuality, examining the purposeful reuse of previous material and the effects produced by a text's repetitive gestures. A shared vision of the possibilities of Latin epic poetry unites the...
Although repetition is found in all ancient literary genres, it is especially pervasive in epic poetry. Ovid's Metamorphoses exploits this dime...
