This study of the Chinese novel in the eighteenth century, arguably one of the greatest periods of the genre, focuses on the autobiographical features of three important works: The Dream of the Red Chamber, or The Story of the Stone (Honglou meng), The Scholars (Rulin waishi), and the relatively neglected The Humble Words of an Old Rustic (Yesou puyan). The author seeks for answers to the question of why the Chinese novel was becoming increasingly autobiographical during the eighteenth century, even as explicitly autobiographical writing was in a decline. He suggests that several new trends...