With essays by Valerie Bajou, Philippe Bordes, Thomas Crow, Michael Fried, Tom Gretton, Darcy Grimaldo Grigsby, Stephane Guegan, Daniel Harkett, Godehard Janzing, Dorothy Johnson, Mehdi Korchane, Ewa Lajer-Burcharth, Issa Lampe, Mark Ledbury, Simon Lee, Heather McPherson, David O'Brien, Satish Padiyar, Todd Porterfield, Susan L. Siegfried, and Helen Weston
Jacques-Louis David (1748-1825), the most celebrated painter of his era, was appointed court painter to Napoleon in 1804 and exiled to Brussels in 1816. This important book--based on the proceedings of an international...

Francois Boucher (1703-1770) has suffered a curious fate: to have been so identified with the French Rococo as to have lost his visibility as an artist in his own right. Rethinking Boucher reclaims the artist's individuality, revealing not only the diversity of his talents but also the variety
of visual and intellectual traditions with which he engaged.
Part one, "The Various Boucher," examines the artist's identity in relation to his portraits and self-portraits, his ingenious genre scenes, and his overlooked religious paintings. Part two, "The Unexpected Boucher," focuses...

The artistic accomplishments of James Northcote (1746-1831) have tended to be overshadowed by his role as a biographer of Joshua Reynolds, first president of the Royal Academy of Arts, with whom Northcote apprenticed for five years. Here, Mark Ledbury constructs a very different image of Northcote: that of a prolific member of the Royal Academy and an active participant in the cultural and political circles of the Romantic era, as well as a portrait and history painter in his own right. This book pays particular attention to Northcote's One Hundred Fables (1828), a masterpiece of wood...