In this study, Paola Marrati approaches--in an extremely insightful, rigorous, and well-argued way--the question of the philosophical sources of Derrida's thought through a consideration of his reading of both Husserl and Heidegger. A central focus of the book is the analysis of the concepts of genesis and trace as they define Derrida's thinking of historicity, time, and subjectivity. Notions such as the contamination of the empirical and the transcendental, dissemination and writing, are explained as key categories establishing a guiding thread that runs through Derrida's early and later...
In this study, Paola Marrati approaches--in an extremely insightful, rigorous, and well-argued way--the question of the philosophical sources of Derri...
In this study, Paola Marrati approaches-in an extremely insightful, rigorous, and well-argued way-the question of the philosophical sources of Derrida's thought through a consideration of his reading of both Husserl and Heidegger. A central focus of the book is the analysis of the concepts of genesis and trace as they define Derrida's thinking of historicity, time, and subjectivity.
In this study, Paola Marrati approaches-in an extremely insightful, rigorous, and well-argued way-the question of the philosophical sources of Derrida...
In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does...
In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilli...
