Here you sit, Horace, Prudy, Dotty, and Flyaway, all waiting for a story. How shall I begin? I cannot remember the events of my life in right order, so I shall have to tell them as they come into my mind. Let us see. To go back to the long, long summer, when I was a child:

Katie Clifford sat on the floor, in the sun, feeding her white mice. She had a tea-spoon and a cup of bread and milk in her hands. If she had been their own mother she could not have smiled down on the little creatures more sweetly. "'Cause I spect they's hungry, and that's why I'm goin' to give 'em sumpin' to eat. Shut your moufs and open your eyes," said she, waving the tea-spoon, and spattering the bread and milk over their backs.

Grace and Horace Clifford lived in Indiana, and so were called "Hoosiers." Their home, with its charming grounds, was a little way out of town, and from the front windows of the house you could look out on the broad Ohio, a river which would be very beautiful, if its yellow waters were only once settled. As far as the eye could see, the earth was one vast plain, and, in order to touch it, the sky seemed to stoop very low; whereas, in New England, the gray-headed mountains appear to go up part way to meet the sky.

I believe I will tell you the story of Grandma Parlin's little childhood, as nearly as possible in the way I have heard her tell it herself to Flyaway Clifford. Well, then, Grandma Parlin, her face full of wrinkles, lay in bed under a red and green patchwork quilt, with her day-cap on. That is, the one who was going to be Grandma Parlin some time in the far-off future.

He did look so funny when they first put him into "pocket-clothes " His green "breeches" were so tight that they made you think of two pods of marrow-fat peas, only they were topped off with a pair of "rocco" shoes, as red as bell-peppers. He had silver buckles on his shoes, and brass buttons on his green jacket, which was fastened at the back. He had a white collar about his neck as large as a small cape, and finished off around the edge with a ruffle. His mother had snipped his dark locks so they needn't look so much like a girl's; and then with his brown fur hat on, which his grandfather...

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O Auntie Prim, may I have a party? I'll give you a thou-sand kisses if you'll lemme have a party Auntie Prim looked as if one kiss would be more than she could bear. She was standing by the pantry window that opened upon the garden, rolling out pie-crust, and didn't like to be disturbed. She was a very good woman, but she never liked to be disturbed. Party? said she, gazing sternly at Flaxie Frizzle and her little cousin Milly. Saturday morning, and your mother gone, too I should think this was a queer time for a party Flaxie rolled her apron over at the corners and chewed it. Well, 'cause...

Excerpt from Little Prudy's Dotty Dimple
Alice was the youngest of the Parlin family. When Grandma Read called the children into the kitchen, and told them about their new little sister, Susy danced for joy; and Prudy, in her delight, opened the cellar door, and fell down the whole length of the stairs. However, she rolled as softly as a jDincushion, and was not seriously hurt.
"But you cant go into mother's room," said Susy, "you re crying so hard."
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...