The antagonists oiled, shaved, pierced, and tattooed; the glaring lights; the pounding music; the shouting crowd: professional wrestling is at once spectacle, sport, and business. "Steel Chair to the Head" provides a multifaceted look at the popular phenomenon of pro wrestling. The contributors combine critical rigor with a deep appreciation of wrestling as a unique cultural form, the latest in a long line of popular performance genres. They examine wrestling as it happens in the ring, is experienced in the stands, is portrayed on television, and is discussed in online chat rooms. In the...
The antagonists oiled, shaved, pierced, and tattooed; the glaring lights; the pounding music; the shouting crowd: professional wrestling is at once sp...
The antagonists--oiled, shaved, pierced, and tattooed; the glaring lights; the pounding music; the shouting crowd: professional wrestling is at once spectacle, sport, and business. "Steel Chair to the Head" provides a multifaceted look at the popular phenomenon of pro wrestling. The contributors combine critical rigor with a deep appreciation of wrestling as a unique cultural form, the latest in a long line of popular performance genres. They examine wrestling as it happens in the ring, is experienced in the stands, is portrayed on television, and is discussed in online chat rooms. In the...
The antagonists--oiled, shaved, pierced, and tattooed; the glaring lights; the pounding music; the shouting crowd: professional wrestling is at once s...
Linking Margaret Mead to the Mickey Mouse Club and behaviorism to Bambi, Nicholas Sammond traces a path back to the early-twentieth-century sources of the normal American child. He locates the origins of this hypothetical child in the interplay between developmental science and popular media. In the process, he shows that the relationship between the media and the child has long been much more symbiotic than arguments that the child is irrevocably shaped by the media it consumes would lead one to believe. Focusing on the products of the Walt Disney company, Sammond demonstrates that without a...
Linking Margaret Mead to the Mickey Mouse Club and behaviorism to Bambi, Nicholas Sammond traces a path back to the early-twentieth-century sources of...
Linking Margaret Mead to the Mickey Mouse Club and behaviorism to Bambi, Nicholas Sammond traces a path back to the early-twentieth-century sources of "the normal American child." He locates the origins of this hypothetical child in the interplay between developmental science and popular media. In the process, he shows that the relationship between the media and the child has long been much more symbiotic than arguments that the child is irrevocably shaped by the media it consumes would lead one to believe. Focusing on the products of the Walt Disney company, Sammond demonstrates that without...
Linking Margaret Mead to the Mickey Mouse Club and behaviorism to Bambi, Nicholas Sammond traces a path back to the early-twentieth-century sources of...
In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they...
In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He ch...
