Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Starting with an overview of eighteenth-century developments and their impact of authorship, this book explores the construction of personal and poetic identity in the writing of Alexander Pope, Thomas Gray, James Beattie, William Cowper, Samuel Taylor Coleridge, and William Wordsworth. Arguing for continuity...
Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the...
In William Wordsworth and the Ecology of Authorship, Scott Hess explores Wordsworth's defining role in establishing what he designates as -the ecology of authorship- a primarily middle-class, nineteenth-century conception of nature associated with aesthetics, high culture, individualism, and nation. Instead of viewing Wordsworth as an early ecologist, Hess places him within a context that is largely cultural and aesthetic. The supposedly universal Wordsworthian vision of nature, Hess argues, was in this sense specifically male, middle-class, professional, and culturally...
In William Wordsworth and the Ecology of Authorship, Scott Hess explores Wordsworth's defining role in establishing what he designates as -...
