In The Museum Project, Korean photographer Atta Kim commandeers average scenes--city streets, department stores, freight depots and forests--and turns them into exhibition spaces. On display are people crammed into acrylic boxes, stacked in sets, on end, or sometimes alone. In selecting his subjects and isolating them in their boxes, Kim aims to "detach them from reality; to display and deconstruct at the same time my own concept of the world." Kim compares his efforts to that of an archaeologist, sifting through the cultural strata in order to unearth and hold up exemplary objects for...