This guide demonstrates Morricone's unique and enduring contributions to the art of film music through a discussion of his compositional and orchestrational processes, many of which are evident in his music for The Good, the Bad and the Ugly in a way that can be easily understood by both musicians and nonmusicians. Though the guide illuminates theoretical and structural aspects of Morricone's music, it also examines relevant non-musical issues which contribute to the audience's total experience of the film.