Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture.

Organized chronologically, with some liberties taken to keep...

In nineteen finely honed, deftly realized short stories, Rebecca Rule crafts with gentle wit and striking clarity a conglomeration of sometimes ragtag but always appealing small-town denizens, each of whom squares off against a nemesis of a singular sort. With an eye for the signature detail, an ear for the rhythms of regional speech, and a strong feel for the nuances of rural culture, Rule maintains a fine balance between humor and pathos that prompted National Book Award winner Thomas Williams to comment, "Cold honesty gleams from every careful sentence."

Twice nominated for the...

One of the most pressing concerns of environmentalists and policy makers is the overexploitation of natural resources. Efforts to regulate such resources are too often undermined by the people whose livelihoods depend on their use. One of the great challenges for wildlife managers in the twenty-first century is learning to create the conditions under which people will erect effective and workable rules to conserve those resources.

James M. Acheson, author of the best-selling Lobster Gangs of Maine (the seminal work on the culture and economics of lobster fishing), here turns his attention...