Following the recent publication of Roland Barthes's Complete Works in French, this book explores the development of ideas across his career. Aware of the pitfalls of a biographical approach to the 'Death of the Author' theorist, Andy Stafford attempts to find Barthes somewhere between the writer as both product and producer of his time, by looking at influences on, and the reception of, his work. Barthes's life is divided into three distinct phases: the polemical journalist prior to 1960; the academic theorist in the 60s; and the celebrated intellectual of the 1970s.

What do photographs want? Do they need any accompaniment in today's image-saturated society? Can writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other? Taking nine case studies from the 1990s French-speaking world (from France, North Africa and the Caribbean), this book attempts to define the interaction between non-fictional written text (caption, essay, fragment, poem) and photographic image. Having considered three categories of 'intermediality' between text and photography - the...

The journal, periodical or revue has a long and largely unexplored history. The periodical has been recognized as a site of unexpected juxtapositions and unorthodox exchanges, a source of chance discoveries. It provides a unique insight into the uneven interactions that characterize any contemporary moment and is an invaluable archive in its own right. This volume aims, through a series of focused case studies, to explore the twentieth-century periodical publication in French, offering an overview of some of its most important manifestations and providing a general reflection on this...