This study seeks to argue that Job 28 is an integral part of the book as it stands, and that it is Job's speech. Job 28 serves a special rhetorical function within the book, and more specifically within chapters 22-31.
This work provides a significant interpretative key to Job 28 within the most perplexing section of the book (Job 22-31). Job 28 is in contradictory juxtaposition with other sayings of Job. However, this study argues that such contradictory juxtaposition is a feature of Job's speeches in chapters 22-31, and is part of the author's strategy to make a rhetorical impact upon...

In The Portrait Bust and French Cultural Politics in the Eighteenth Century, Ronit Milano probes the rich and complex aesthetic and intellectual charge of a remarkably concise art form, and explores its role as a powerful agent of epistemological change during one of the most seismic moments in French history. The pre-Revolutionary portrait bust was inextricably tied to the formation of modern selfhood and to the construction of individual identity during the Enlightenment, while positioning both sitters and viewers as part of a collective of individuals who together formed French...