Since colonial times, Chicano/a literature has varied with the authors' assumptions about the class and gender of their audiences, the linguistic choices available for literary communication, the geographic mobility of writers and readers, and the tastes they may have acquired in Mexico or other countries. In this examination of Chicano/a literature, Manuel M. Martin-Rodriguez analyses the ways it connects with and is shaped by the interaction with its audiences. Motivated by a Tomas Rivera essay from 1971, into the Labyrinth: The Chicano in Literature, Martin-Rodriguez began collecting,...