Raz Yosef explores Israeli cinemas role in the creation of national identity and the complex ways the marginalization of queerness became necessary to that goal.
Zionism was not only a political and ideological program but also a sexual one. The liberation of Jews and creation of a new nation were closely intertwined with a longing for the redemption and normalization of the Jewish male body. That body had to be rescued from anti-Semitic, scientific-medical discourse associating it with disease, madness, degeneracy, sexual perversity, and femininityeven with homosexuality. The...
Raz Yosef explores Israeli cinemas role in the creation of national identity and the complex ways the marginalization of queerness became necessary...
This text examines the ideological and aesthetic trends in contemporary Israeli cinema. More specifically, it critically explores the complex and crucial role of Israeli cinema in remembering and restaging traumas and losses that were denied entry into the shared national past.
This text examines the ideological and aesthetic trends in contemporary Israeli cinema. More specifically, it critically explores the complex and cruc...
The last decade has marked the growing visibility and worldwide interest in Israeli cinema. Films such as Walk on Water, Or, My Treasure, Beaufort and Waltz with Bashir have been commercially and critically successful both in Europe and the United States and have won a number of prestigious international awards. This book examines for the first time the new ideological and aesthetic trends in contemporary Israeli cinema. More specifically, it critically explores the complex and crucial role of Israeli cinema in remembering and restaging traumas...
The last decade has marked the growing visibility and worldwide interest in Israeli cinema. Films such as Walk on Water, Or, ...
In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention.
Tracing a long line of films from the 1940s up to the 2000s, the contributors use close readings of these films not only to reconstruct the past, but also to actively engage with it. Addressing both high-profile and lesser...
In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or strivin...