This volume discusses modes of film-making that diverge from and oppose the mainstream. It treats artists' film conceptually in order to explore key categories that connect different works and film-makers: from framing to digital media, installation to interactivity, and point of view to sound.
This volume discusses modes of film-making that diverge from and oppose the mainstream. It treats artists' film conceptually in order to explore key c...
Kurt Kren was a vital figure in Austrian avant-garde cinema of the postwar period. His structural films--often shot frame-by-frame following elaborately prescored charts and diagrams--have influenced filmmakers for decades, even as Kren himself remained a nomadic and obscure public figure. Kurt Kren, edited by Nicky Hamlyn, Simon Payne, and A. L. Rees, brings together interviews with Kren, film scores, and classic, out-of-print essays, alongside the reflections of contemporary academics and filmmakers, to add much-needed critical discussion of Kren's legacy. Taken together, the...
Kurt Kren was a vital figure in Austrian avant-garde cinema of the postwar period. His structural films--often shot frame-by-frame following elaborate...
This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr's Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live `making' and is today exhibited in galleries, public sites and online.
This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr's Experimental Animation: Origi...