The first monograph on Iraqi artist Hayv Kahraman surveys her figurative work, which mines the marginal space that pertains to diasporic peoples, collective and personal memory, and gender.

The vital practice of Hayv Kahraman produces ethereal figures relating to each other in complex grounds. Their grace belies the brutal history of violence and displacement Kahraman's subjects endure, creating an oscillating effect that entices the viewer with its seductive order. The artist combines elements of Italian Renaissance painting and twelfth-century Baghdadi illuminated manuscripts...