The study of 'Celtic' culture has been locked within modern nationalist paradigms, shaped by contemporary media, tourism, and labor migration. Celtic Modern collects critical essays on the global circulation of Celtic music, and the place of music in the construction of Celtic 'Imaginaries'. It provides detailed case studies of the global dimensions of Celtic music in Scotland, Wales, Ireland, Brittany, and amongst Diasporas in Canada, the United States and Australia, with specific reference to pipe bands, traditional music education in Edinburgh, the politics of popular/traditional crossover...
The study of 'Celtic' culture has been locked within modern nationalist paradigms, shaped by contemporary media, tourism, and labor migration. Celtic ...
The study of 'Celtic' culture has been locked within modern nationalist paradigms, shaped by contemporary media, tourism, and labor migration. Celtic Modern collects critical essays on the global circulation of Celtic music, and the place of music in the construction of Celtic 'Imaginaries'. It provides detailed case studies of the global dimensions of Celtic music in Scotland, Wales, Ireland, Brittany, and amongst Diasporas in Canada, the United States and Australia, with specific reference to pipe bands, traditional music education in Edinburgh, the politics of popular/traditional crossover...
The study of 'Celtic' culture has been locked within modern nationalist paradigms, shaped by contemporary media, tourism, and labor migration. Celtic ...
At the heart of "The Republic of Love" are the voices of three musicians queer nightclub star Zeki Muren, "arabesk" originator Orhan Gencebay, and pop diva Sezen Aksu who collectively have dominated mass media in Turkey since the early 1950s. Their fame and ubiquity have made them national icons but, Martin Stokes here contends, they do not represent the official version of Turkish identity propagated by anthems or flags; instead they evoke a much more intimate and ambivalent conception of Turkishness. Using these three singers as a lens, Stokes examines Turkey s repressive politics...
At the heart of "The Republic of Love" are the voices of three musicians queer nightclub star Zeki Muren, "arabesk" originator Orhan Gencebay, and ...
At the heart of The Republic of Love are the voices of three musicians queer nightclub star Zeki Muren, arabesk originator Orhan Gencebay, and pop diva Sezen Aksu who collectively have dominated mass media in Turkey since the early 1950s. Their fame and ubiquity have made them national icons but, Martin Stokes here contends, they do not represent the official version of Turkish identity propagated by anthems or flags; instead they evoke a much more intimate and ambivalent conception of Turkishness. Using these three singers as a lens, Stokes examines Turkey s repressive...
At the heart of The Republic of Love are the voices of three musicians queer nightclub star Zeki Muren, arabesk originator Orhan Genc...
