Witness against History offers fresh readings of milestones in twentieth-century Chinese literature and cinema. The book reveals how these texts and films, which seem to proclaim faith in modernity, nevertheless doubt the possibility of changing the course of history. In the aftermath of violent events, the authors question their ability to rescue the nation or even create a space for public debate. The witness against history is ultimately a critique of witnessing itself.

Painting the City Red illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People s Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not only of China s abandonment of Maoist economic planning in favor of capitalist globalization but also of a shift in visual practices. Rather than simply reflect urban culture, movies and stage dramas have...

The book traces common concerns among East Asian cinemas of Hong Kong, Japan, South Korea, the PRC, and Taiwan, and goes beyond the now familiar notion that the Asian metropolises are successful iterations of local identity within a global network.