Haunted Images takes a close look at a range of treatments of the Holocaust in film, using sustained textual analysis to radically rethink film as a witness to history. Questioning the legitimacy of persistent claims that the Holocaust remains 'unrepresentable', this volume seeks to redefine the singular challenges this event presents to filmmakers, suggesting that filmic representations address the Holocaust as much through what they leave unseen - through silences and ellipses - as through what they visualise directly. Discussing films such as Kapo (1960), Shoah (1985)...

Recent representations of the Holocaust have increasingly required us to think beyond rigid demarcations of nation and history, medium and genre. Holocaust Intersections sets out to investigate the many points of conjunction between these categories in recent images of genocide. The book examines transnational constellations in Holocaust cinema and television in Europe, disclosing instances of border-crossing and boundary-troubling at levels of production, distribution and reception. It highlights intersections between film genres, through intertextuality and pastiche, and the deployment of...