T. Pawlowski Marjorie A. Gonzales Marzenna R. Dudzinska
The first meeting in this series was organized by Prof. Pawlowski and Dr. Lacy in 1976 at the Marie Curie-Sklodowska University in Lublin, Poland. The conference dealt with various physicochemical methodologies for water and wastewater treatment research projects that were jointly sponsored by US EP A and Poland. The great interest expressed by the participants led the organizers to expand the scope of the second conference, which was also held in Poland in September 1979. The third and enlarged symposium was again successfully held in 1981 in Lublin, Poland. At that time the participating...
The first meeting in this series was organized by Prof. Pawlowski and Dr. Lacy in 1976 at the Marie Curie-Sklodowska University in Lublin, Poland. The...
What is aesthetic value? A property in an object? An experience of a perceiving person? An ideal object existing in a mysterious sphere, inaccessible to normal cognition? Does it appear in one form only, or in many forms, perhaps infinitely many? Is it something constant, immutable, or rather something susceptible to change, depending on the individual, the cultural milieu, or the epoch? Is a rational defence of aesthetic value judgements possible, or is any discussion of this topic meaningless? The above questions arise out of the most complicated philosophic problems. Volumes have been...
What is aesthetic value? A property in an object? An experience of a perceiving person? An ideal object existing in a mysterious sphere, inaccessible ...
Uniqueness of style versus plurality of styles: in terms of these aesthetic categories one of the most important differences between the recent past and the present can be described. This difference manifests itself in all spheres of life - in fashion, in everyday life, in the arts, in science. What is of interest for my purposes in this book are its manifestations in the processes of con cept formation as they occur in the humanities, broadly conceived. Here the following methodological approaches seem to dominate the scene. 1. A tendency to apply semiotic concepts in various fields of...
Uniqueness of style versus plurality of styles: in terms of these aesthetic categories one of the most important differences between the recent past a...
Uniqueness of style versus plurality of styles: in terms of these aesthetic categories one of the most important differences between the recent past and the present can be described. This difference manifests itself in all spheres of life - in fashion, in everyday life, in the arts, in science. What is of interest for my purposes in this book are its manifestations in the processes of con cept formation as they occur in the humanities, broadly conceived. Here the following methodological approaches seem to dominate the scene. 1. A tendency to apply semiotic concepts in various fields of...
Uniqueness of style versus plurality of styles: in terms of these aesthetic categories one of the most important differences between the recent past a...
What is aesthetic value? A property in an object? An experience of a perceiving person? An ideal object existing in a mysterious sphere, inaccessible to normal cognition? Does it appear in one form only, or in many forms, perhaps infinitely many? Is it something constant, immutable, or rather something susceptible to change, depending on the individual, the cultural milieu, or the epoch? Is a rational defence of aesthetic value judgements possible, or is any discussion of this topic meaningless? The above questions arise out of the most complicated philosophic problems. Volumes have been...
What is aesthetic value? A property in an object? An experience of a perceiving person? An ideal object existing in a mysterious sphere, inaccessible ...