In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.
In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme...
This book posits adaptations as 'hideous progeny, ' Mary Shelley's term for her novel, Frankenstein . Like Shelley's novel and her fictional Creature, adaptations that may first be seen as monstrous in fact compel us to shift our perspective on known literary or film works and the cultures that gave rise to them.
This book posits adaptations as 'hideous progeny, ' Mary Shelley's term for her novel, Frankenstein . Like Shelley's novel and her fictional Creature,...
This book posits adaptations as 'hideous progeny, ' Mary Shelley's term for her novel, Frankenstein . Like Shelley's novel and her fictional Creature, adaptations that may first be seen as monstrous in fact compel us to shift our perspective on known literary or film works and the cultures that gave rise to them.
This book posits adaptations as 'hideous progeny, ' Mary Shelley's term for her novel, Frankenstein . Like Shelley's novel and her fictional Creature,...
